Photography News

Love it or loathe it, blurred water can look great in the right situation so it is always worth a try. For those who are new to the technique, here are 10 tips to get you started in turning even small cascades can look like raging torrents. 

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1. Time Of Day

Waterfalls are a favourite landscape subject and early morning or late afternoon on an overcast day is the perfect time to photograph them using this technique. Bright sun stops you using slow shutter speeds and the contrast can be horrendous. 

 

2. Camera Set-Up 

Switching to shutter-priority so you can control the length of the time the shutter is open for makes this technique easier so take a camera out you can do this with. DSLRs are an obvious choice but if you want to use a smaller bodied camera, take a look at a high-end compact or Micro Four Thirds System.

 

3. Use A Support

As you're using slow shutter speeds you need to use a tripod, self-timer or a remote cable release to ensure the camera stays completely still. Using the camera's mirror lock-up can also help with this, as it will avoid shutter shock. 

 

4. Find Your Filters

A polariser, as well as a neutral density filter, is handy for cutting down the amount of light reaching the camera sensor, thus allowing even slower shutter speeds. 

 

5. Slow Shutter Speed

The slower the speed you choose the more blur there will be. Try a speed of 1/8sec to 1/15sec but if this doesn't work, change the shutter speed and take the shot again.

 

6. Volume, Flow And Distance

There is no right or wrong speed for this as this changes depending on how much blur you want, the volume of water (large amounts need shorter shutter speeds), the speed of flow (slower flows need slower shutter speeds) and the distance between the camera and water (shorter the distance the faster the shutter speed needs to be).

 

7. Metering Tips

Take care when metering water as the large areas of light tones can fool the meter into underexposing, making the picture look dark. It's always worth bracketing, perhaps shooting at plus and minus one stop.

 

8. Take 2 Shots

Slow shutter speeds will add blur to anything that moves so if grass or plants surround the waterfall these could end up blurred too. To combat this, you can take two shots: one with a slow shutter speed to capture the waterfall and one with a faster shutter speed to capture the surroundings. You then combine both images later during post-production. 

 

9. How To Shoot

To create impact, fill the frame with the waterfall. Taking a low angle will also make the waterfall more dominating. Shooting straight on will allow you to capture water patterns. 

 

10. Away From Waterfalls

This same technique can be applied to wave imagery. You can create lava-style flows of water by choosing a slow shutter speed. Simply mount your camera on a tripod and choose an area where the water is crashing against rocks so the shape of it changes. 

 

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Image Credit: Canon

 

Canon expanded its professional optics range with two specialized L-series ultra-wide lenses designed to give photographers and filmmakers fresh creative perspectives. The RF 7-14mm F2.8-3.5L FISHEYE STM was announced as the world’s first fisheye zoom covering a 190-degree angle of view, featuring a lightweight build and an integrated drop-in filter system. The RF 14mm F1.4L VCM debuted as a high-speed hybrid prime, pairing a bright maximum aperture with specialized glass for astrophotography, landscapes, and video production. Both lenses carried weather-sealed construction and focus breathing suppression for reliable performance in professional environments. They go on sale on the 26th of February 2026.

 

From Canon:

Canon today expands its professional RF lens range with two new ultra-wide lenses that invite photographers and filmmakers to unleash their creativity and capture the world in dynamic new ways. With their fast apertures, compact sizes and outstanding optical quality, the RF 7-14mm F2.8-3.5L FISHEYE STM and RF 14mm F1.4L VCM are worlds apart from ordinary wide-angle lenses.

 

Introducing the world’s first 190° fisheye zoom lens1

 

The RF 7-14mm F2.8-3.5L FISHEYE STM is a unique ultra-wide RF zoom lens for dramatically different images and video. Paired with a full-frame EOS R System camera, the RF 7-14mm F2.8-3.5L FISHEYE STM delivers two distinctive looks: an ultra-wide 190° circular fisheye image at 7mm and a frame-filling 180° diagonal fisheye image at 14mm. On APS-C cameras, the maximum wide angle can be set to approximately 8.7mm for frame-filling 180° diagonal fisheye images2.

Building on the success of the pioneering EF 8-15mm f/4L Fisheye USM, the RF 7-14mm F2.8-3.5L FISHEYE STM has a wider, faster, lighter design and enhanced edge-to-edge image quality. An innovative drop-in filter system improves convenience by allowing real- time adjustment of optional circular polarising and variable ND filters, giving photographers and filmmakers precise control over lighting in any situation.

 

Image Credit: Canon

 

Designed for professionals who want their work to stand out, the RF 7-14mm F2.8-3.5L FISHEYE STM creates a striking look across a wide range of genres – from action sports and astrophotography to landscapes and expressive portraits. Focusing as close as 0.15m, this versatile zoom lens enables even greater exaggeration of creative distortion to set your work apart.

While offering photographers the freedom to explore a bold fisheye perspective in imaginative new ways, image quality remains tightly controlled through an advanced optical design. This includes two replica aspherical elements to suppress spherical aberrations, five UD elements to reduce chromatic aberrations, and ASC coatings to cut ghosting and flare.

Quiet leadscrew-type STM autofocus coupled with focus breathing suppression makes the RF 7-14mm F2.8-3.5L FISHEYE STM an accomplished lens for creative video as well as stills. Circular fisheye videos captured on a compatible camera can be converted to 2D 180° VR files via EOS VR Utility3, for immersive viewing using a VR headset. With its equidistant projection, the RF 7-14mm F2.8-3.5L FISHEYE STM keeps image detail consistent from the centre to the periphery. This ensures high resolution throughout, even when the image is stretched for 2D VR – so every view stays clear and captivating.

 

Image Credit: Canon

 

Key features of the RF 7-14MM F2.8-3.5L FISHEYE STM:

• World’s first fisheye zoom lens that covers a 190° angle of view1
• 7mm circular and 14mm diagonal fisheye for two different looks on a full-frame camera
• Circular fisheye with equidistant projection for easy conversion to 2D 180° VR with official Canon app3
• Aspherical and UD elements for high image quality across the frame
• Bright f/2.8-3.5 aperture for action and low-light shooting
• Drop-in filter support
• Durable L-series design with dust- and moisture-resistant construction4
• Lightweight at approx. 476g for ultra-portable convenience

 

RF 14mm F1.4L VCM: Extraordinary speed, exemplary sharpness

 

The RF 14mm F1.4L VCM sets a new benchmark for wide-angle excellence. Ultra-wide, ultra-fast and ultra-light, this latest addition to Canon’s hybrid prime lens lineup is designed to inspire photography and video production on a grand scale.

With its expansive 114° diagonal angle of view, the RF 14mm F1.4L VCM is a great choice for capturing sweeping landscapes as well as indoor spaces. An exceptionally bright f/1.4 aperture offers greater flexibility while shooting in low light or when using a shallow depth of field to help isolate your subject.

Despite its ultra-wide design and fast aperture, the RF 14mm F1.4L VCM remains lightweight, making it a highly practical lens for outdoor and travel photography, or working from a drone. Weighing around 578g, it’s built for shooting on the move, and the durable L-series construction ensures it is ready for demanding assignments.

 

Image Credit: Canon

 

Delivering remarkable image quality from the centre to the corners, even wide open at f/1.4, the RF 14mm F1.4L VCM achieves a level of performance rare for such a wide, fast design, thanks to the extensive use of specialised lens elements and coatings. Three glass-moulded (GMo) aspherical elements suppress sagittal coma flare for finely rendered point light sources such as stars, while Fluorite, BR and UD lenses reduce chromatic aberration. Ghosting and flare are minimised though the use of Canon’s sophisticated SWC and ASC coatings.

The superb edge-to-edge precision at f/1.4 is one reason the RF 14mm F1.4L VCM excels at astrophotography. The large maximum aperture lets you use faster shutter speeds to reduce star trails, while keeping image quality high and ISO levels manageable. Thanks to its ultra-wide angle of view, it is also an ideal lens for professional landscape and architecture photography or for shooting tight interiors. Additionally, the hybrid design of the RF 14mm F1.4L VCM, which incorporates smooth, precise AF tracking capability along with focus breathing suppression, 11-blade circular aperture and dedicated Iris Ring6, makes it an outstanding lens for photographers who also need to shoot video.

 

Image Credit: Canon

 

Key features of the RF 14MM F1.4L VCM:

• High-quality rectilinear ultra-wide hybrid prime lens
• Fast f/1.4 maximum aperture for shallow depth of field and greater freedom in low light
• Outstanding sharpness and image quality right across the frame, with aspheric, UD, BR and Fluorite elements
• Voice Coil Motor5 for smooth, quiet and precise autofocus, with focus breathing suppression
• Designed for professional photographers, with added hybrid features for advanced video performance
• 11-blade circular aperture for cinematic bokeh and 22-point starburst effects
• Smooth action Iris Ring6, Control Ring and Lens Control button for intuitive manual control
• L-series build quality with dust/moisture resistance4
• Compact and lightweight for a 14mm f/1.4 lens, at approx. 578g

 

1. First lens for interchangeable lens cameras compatible with 35mm full-frame sensors. As of February 4, 2026; research by Canon.

2. 180° diagonal fisheye photography is possible on EOS R System cameras with APS-C sensors when the ‘C’ mark on the zoom ring is aligned with the C index (at approximately 8.7mm). The location of the zoom limit/lock switch at wide-angle does not guarantee a diagonal fisheye image for APS-C size.

3. To record circular fisheye videos that can also be remapped into the equirectangular projection by Canon’s EOS VR Utility for 2D 180° VR viewing, you will need a compatible camera that supports Open Gate video recording.

4. Lenses with dust/moisture resistance are fitted with a rubber ring on the lens mount which may cause slight abrasion of the camera mount. This in no way effects either the lens or camera performance.

5. Important: The Voice Coil Motor in the lens emits a low-level magnetic field. While generally safe to use, we advise consulting your doctor if you have a pacemaker or any other medical device to address any concerns. When the lens is not connected to the camera or when the camera is off may cause internal noise from the lens’s components. This is normal and not a malfunction. Minor movements during transportation do not affect performance.

6. Various limitations apply to some cameras; we recommend installing the latest Firmware update on your camera for best performance. Even with latest Firmware update on EOS R, RP, Ra, R3, R5, R6, R6 Mark II, R7, R8, R10, R50, R100 and EOS R5C when shooting still photos, the aperture value cannot be set using the iris ring.

 

For more information, please visit the Canon UK website.

“Gear doesn’t matter” is usually spoken from a place where most decisions are already behind the speaker. It sounds supportive, even generous. The trouble begins when this sense of closure appears precisely where attention to differences, limits, and concrete choices is still required. 

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Editing is as crucial as capturing a great shot. Removing distractions, adjusting elements, or enhancing visuals can be time-consuming. AI tools now assist photographers in handling repetitive post-processing tasks efficiently, while keeping creative control intact.

Platforms like Piclumen provide intelligent features for real-world editing needs. These tools do not replace artistic judgment but help streamline tedious processes, letting photographers focus on refining their vision.

 

 

AI Replace: Targeted Editing for Photographers

 

The AI replace function allows selective content replacement in images. Users can mark areas to modify — such as unwanted objects or backgrounds — and describe the desired replacement. The system blends new content naturally into the image. This reduces manual editing time while maintaining creative flexibility. Instead of painstaking pixel-level adjustments, photographers can quickly implement changes while keeping control over the final image.

 

Using AI Replace in Your Workflow

 

A simple workflow makes AI replace accessible:

1. Mark the area: Use the brush to select parts to edit.
2. Describe the change: Input a brief description of the replacement.
3. Generate and review: Evaluate the AI-generated result and fine-tune if necessary.

This process is ideal for photographers looking to save time on repetitive tasks, especially in client work or batch editing.

 

 

Solving Common Editing Pain Points

 

Unwanted subjects or distracting background elements are common in photography. AI replace can quickly remove these issues — for example, stray pedestrians in street photography or clutter in product shots — by replacing them with cleaner backgrounds or natural textures. This helps photographers focus on composition, lighting, and storytelling rather than repetitive pixel work.

 

Keeping Creative Control

 

AI replace is an assistive tool, not a replacement for the photographer’s skill. Creative decisions about composition, lighting, and visual narrative remain fully under the user’s control. By treating AI outputs as drafts or variations, photographers retain full creative freedom. 

 

Conclusion

 

AI replace offers a practical way to speed up post-processing while preserving creative control. Tools like Piclumen support photographers in reducing repetitive editing tasks, allowing more time to focus on the artistic aspects of photography, without ever replacing the human judgment at the core of image creation.

 

 

Top Gear and Preparation Tips for Starting Out in Travel Photography

 

 

Embarking on a journey into travel photography is more than just taking pictures in exotic locations—it's about capturing stories, understanding cultures, and being equipped with the right tools and mindset. When exploring vibrant markets, remote landscapes, and bustling cities, having the best gear for travel photography and being well-prepared can significantly impact your results.

In this guide, we'll cover essential travel photography gear, practical tips for beginners, and tricks to maintain your equipment while on the move.

 

Explore DepositPhotos for licensed travel photos for your creative projects.

 

How to prepare for a travel photography job as a beginner creator

 

Landing your first travel photography job can be both exciting and overwhelming. The key lies in preparation, consistency, and adaptability.

 

Research your destination

Before heading to popular travel photography hotspots, learn about the local culture, climate, and accessibility. Understand the best times for natural lighting and golden hour shots, and what locations might be sensitive to photography.

Consider these aspects:

• Seasonal light patterns' impact on landscapes;
• Local festivals showcasing vibrant traditions;
• Off-the-beaten-path locations for authentic storytelling;
• Cultural taboos to respect while photographing people;
• Optimal times for capturing iconic landmarks;
• Local markets and their unique visual elements.

 

Build a shot list

A shot list will guide your creative process and show professionalism, especially if you're handling commissioned travel photography jobs. Consider these categories to enhance your visual storytelling:

• Dawn patrol. Early morning cityscapes;
• Local artisans. Traditional craftsmanship;
• Hidden gems. Lesser-known locations;
• Night scenes. Vibrant after-dark moments;
• Architectural contrasts. Old meets new;
• Cultural rituals. Unique local traditions;
• Street food. Culinary experiences.

A well-planned list serves as your visual roadmap, ensuring you capture key moments while allocating time for spontaneity.

 

Check your legal and logistical needs

Ensure you have travel documents, photography permits, and insurance coverage for health and travel photography gear. Investigate permit requirements for protected areas and landmarks. Secure necessary visas, especially for commercial work. Familiarize yourself with local photography laws and cultural sensitivities. Consider these crucial aspects:

• Research drone regulations and no-fly zones;
• Obtain model releases for portrait subjects;
• Respect copyright laws for artwork and performances;
• Review customs regulations for equipment transport;
• Understand privacy laws in public spaces;
• Check restrictions on tripod use in crowded areas;
• Be aware of photography bans in religious sites.

 

 

The best gear for travel photography

 

Choosing the best gear for travel photography means balancing performance, durability, and portability. Here's a breakdown of what you should consider packing as a beginner:

 

Best cameras for travel photography

Compact mirrorless cameras are now a top choice among professional and beginner photographers. They offer compact size without sacrificing professional features. Here are a few standout options:

1. Fujifilm X-T5. Lightweight with excellent image quality and film simulation features.
2. Sony Alpha a7 IV. A full-frame powerhouse with advanced autofocus and video capabilities.
3. Canon EOS R8. A strong entry-level full-frame option for high-resolution travel shots.

These are among the best cameras for travel photography because they offer superior image quality while remaining compact enough for daily travel.

 

Versatile lenses

For beginners, a versatile 24–70 mm f/2.8 zoom covers everything from wide-angle vistas to portraits, while a fast 35 mm f/1.8 prime excels in low-light and street scenes. As your skills (and itinerary) expand, build a travel-ready lens kit that balances scope and portability: a 16–35 mm wide-angle for landscapes and architecture, the trusty 24–70 mm for everyday flexibility, and a 70–200 mm telephoto zoom to bring distant wildlife or compressed cityscapes closer.

To round out your creative arsenal, you might also pack:

• Ultra-wide fisheye—dramatic, curving distortions for unique perspectives;
• Macro lens—crisp, close-up detail of flora, food, or textures;
• Tilt-shift lens—perspective correction and miniature effects in urban settings;
• Fast prime—wide aperture for atmospheric, low-light street shots;
• All-in-one zoom (18–300 mm)—space-saving versatility when you can carry only one lens.

 

Accessories to enhance workflow

Enhance your travel photography workflow with these essential accessories:

• Versatile camera bag. Protect gear and organize efficiently;
• Lightweight tripod. Ensure stability for sharp images;
• High-capacity memory cards. Capture more without interruption;
• Spare batteries. Extend shooting time in remote locations;
• Portable hard drive. Backup photos securely on-the-go;
• Remote shutter release. Minimize camera shake for crisp shots;
• Polarizing filter. Reduce glare and enhance colors;
• Cleaning kit. Maintain equipment for optimal performance.

 

 

How to take care of your travel photography gear during trips

 

Protecting your investment in travel photography gear is essential, especially when facing varied climates and rugged terrains.

 

Weatherproof your equipment

Protect your gear from the elements with quality rain covers and dust-proof cases. While weather-sealed cameras like the Canon 5D Mark IV offer protection, caution is still necessary. Consider these tips:

• Use silica gel packets to combat humidity;
• Wrap gear in microfiber cloths for added protection;
• Acclimate equipment gradually in temperature extremes;
• Keep spare dry bags for sudden weather changes;
• Invest in waterproof camera straps for added security.

 

Routine cleaning

Maintaining your travel photography gear requires a consistent cleaning routine. Implement these techniques for optimal performance:

• Use microfiber cloths to gently remove smudges from lenses;
• Dislodge dust from sensors with a rocket blower;
• Clean camera bodies carefully, avoiding buttons;
• Apply lens cleaner sparingly for stubborn marks;
• Inspect and clean lens contacts for reliable connections.

 

Smart packing and transport

Invest in a padded camera bag to shield your gear from impacts. Always carry essential equipment as hand luggage when flying. Avoid exposing gear to extreme temperatures and use hotel safes for secure storage during exploration.

 

Conclusion

Starting a career or hobby in travel photography demands more than a love for travel and visuals—it requires the right gear, thoughtful preparation, and ongoing care. From choosing the best cameras for travel photography to discovering new travel photography hotspots, every step of your journey adds to your visual storytelling toolbox. As you land more travel photography jobs, this article's foundational habits will continue to support your success.

 

The Tamron 35-100mm f/2.8 steps into a space that many overlook, covering a range that makes sense for portraits, events, and travel without the bulk of longer zooms. If you carry gear for hours or move fast on location, weight and balance stop being small details and start shaping how you shoot. 

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Most photographers approach lens purchases with a familiar mental checklist. They identify a problem, usually something technical, and then shop for a solution. The logic seems airtight: if the images aren't sharp enough, buy a sharper lens. If the background blur isn't creamy enough, buy something with a wider aperture. If the autofocus hunts too often, upgrade to the newest generation with better motors and tracking algorithms. That's wrong. 

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Canon’s RF 28-70mm f/2.8 IS STM fills a gap that many ignore until they need it. If you’ve ever avoided a standard zoom because of weight, this lens quietly challenges that decision. 

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The idea that 12 megapixels is not enough has been repeated so often that you might accept it without testing it yourself. The Sony ZV-E1 challenges that assumption in a way that forces you to rethink how much resolution you actually need. 

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Tamron has announced the 35-100mm f/2.8 Di III VXD, a constant-aperture standard zoom lens for full frame Sony E-mount and Nikon Z-mount mirrorless cameras. The lens will be available on March 26, 2026, priced at $899 for the Sony E-mount version and $929 for the Nikon Z-mount version ($1,249 CAD and $1,299 CAD, respectively). 

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The WANDRD PRVKE 21 L has been a popular camera bag, typically nailing its Kickstarter campaign goals just minutes after launching. V4 of this bag has just been released. This is a review of the 21 L Zip, with this model dispensing with the roll-top. I'll go over what I like and what I didn't like. 

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With some schools closed for the half-term break this week we thought we'd give you some suggestions on where you can go with the kids that'll keep them entertained and still give you the opportunity to get your camera out of its bag.

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1. The Coast

 

With arcades, beaches, ice cream and fish and chips, the coast is a great place for a family day-trip. Plus, with lighthouses, piers, promenades and plenty of other photographic opportunities available your camera won't be spending too long in its bag. 

Here are 10 techniques for you to take a look at before you head for the seaside: 

1. Coast Close-Up Photography With Compacts
2. 5 Tips To Improve Your Coastal Landscapes
3. Photographing Lighthouses In The Landscape
4. Long Exposures At The Coast
5. Coast Photography Tips For The 'Golden' Hours
6. How To Photograph What The Sea Washes Up
7. Photographing Piers
8. Photographing Under The BoardWalk
9. Lighthouse Photography Tips
10. Out Of Season Coast Photos

 

2. Castles

From sweeping majestic castles with interactive features to ruins of castle walls that once protected its occupiers, these great structures offer ample opportunity for photographers and their gear. Attractions such as Warwick Castle are both photogenic and entertaining thanks to tours and other activities taking place during opening hours. The summer months tend to be the times when more entertainment is put in place, however, a quick search online will soon show you what locations are hosting what events/activities during the half-term break. 

For tips on equipment choices and shooting angles, have a read of these castle photography techniques:

• A Guide To Photographing Castles
• Quick Stately Home And Castle Photography Tips
• Castle Photography Advice

 

3. The Zoo

 

A day out at the zoo is something loved by children and families, but they're also a great place for photographers, too. They're brimming with photographic subjects but the screens and fences that protect them, and us can be a bit of a nightmare for photographers. They put distance between you and the animal and as you can't generally photograph over them you have to shoot through them. However, there are a few ways you can make your day out at the zoo more of a photography success as we explain in these articles:

• 15 Top Zoo Photography Tips
• Photography At Zoos

  4. Your Local Park

 

Among the concrete jungle, there are pockets of green that break the greys of the city skyline up and whether you're snapping the blankets of alternating colour from a distance or are among the trees yourself, city parks have plenty of photographic opportunities to keep you busy. Plus, with plenty of grass for kicking a ball around and swings for entertainment, your children won't be bored either!

Have a read of these tutorials for park photography tips: 

• What To Photograph In Parks
• Photography In Parks

 

5. Set-Up A Portrait Shoot

One way to keep the kids entertained at home that'll still give you the opportunity to get your camera out is a portrait shoot. This could be indoors or out, posed and with guidance or have a more candid style to it. Whichever you decide, here are a few tutorials to help you out. Plus, you'll find even more portrait-related articles in ePHOTOzine's technique section. 

• Indoor Portraits With Window Light
• How To Capture Smiling Close Ups Of Children
• Photographing Family Or Groups Of Friends
• Shooting A Set Of Fun Portraits
• Tips For A Child Portrait Shoot
• Creative Children Portraits On A Budget

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

Memory cards are the most overlooked purchase decision in photography. We agonize over camera bodies for months, research lenses obsessively, and then grab whatever SD card is on sale at checkout. This approach works fine until you're shooting a wedding and your buffer locks up during the first dance, or you're recording an interview and the camera stops mid-sentence because your card couldn't keep up. 

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If you only had one bag that can fit your camera gear comfortably, can let you bring it every day, can withstand less-than-ideal environments, and can adapt to other things when you don’t need your camera, this might be one to consider. 

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Uh oh. A conversation about AI in photography? Let the witch hunt begin. We all know that AI is rapidly becoming a dominant and controversial topic in our industry. I am not here to proclaim one way or another, but simply to open a dialogue between the technical modernization of art and, of course, the purism of the art form. 

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Commercial real estate photography is getting more serious, and agents are paying attention. If you already shoot residential listings, there’s a clear opening to step into higher-paying work without starting over. 

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Premiere Pro is no longer called Premiere Pro. With version 26.0, Adobe has renamed it Premiere on Desktop, and that shift comes with tools that could change how you handle masking, transitions, and overall timeline speed. 

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Full frame cameras dominate headlines, but APS-C models are quietly outselling them by a wide margin. Shipments in 2025 show a gap that challenges the idea that bigger sensors are the obvious end goal. 

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Daylight is free and it is wonderful for portrait work as not only is it flattering and photogenic but it's really easy to work with so it's a good place for beginners to start. You don't need a fancy studio, either, as you can pick a location outdoors or simply set-up next to a window in your own home.  

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1. Light & Time Of Day

To take good portraits with light from a window you don't need a lot of space but do try and avoid an area/time of day where direct sunlight is flowing through the window to avoid contrast problems. If you can, work on an overcast day because the light will be naturally diffused and won't be too harsh. 

As we are working with window light, you don't want other light sources spoiling your shot so turn your house lights off for neutral results.

 

2. Use A Reflector 

You'll probably need to bounce some light onto your subject's face and the best way to do this is with a reflector. You can either use a purpose-made one, some white card or some silver foil stuck onto a sheet of MDF will do.

In case you don't have someone to hand, a tripod makes a good reflector holder or you can hold the reflector yourself and set the camera on a self-timer. Or, you could use a reflector designed to be held by a photographer. If you are shooting tightly cropped images, the model can hold the reflector for you, too.

 

 

3. Metering Tips 

If you use manual metering, take a reading from the model's face and not the window. If you meter from the window it will think the scene is brighter than what it is and as a result, your subject will be underexposed.
 

4. Get The White Balance Right 

It is worth trying different white-balance settings. Auto white-balance can work well, but try shade or cloudy for warmer looking images.  
 

5. Framing & Capturing Your Portrait 

Get in as close as you can to capture/use as much daylight as possible. A tripod is useful, hand-held can work just as well but make sure you are shooting at a reasonably fast shutter speed and remember to focus on the eyes. Crop in tight on the face and if you wish, you can use the window to help frame the shot.

Most people are not natural posers so communication and guidance are important. For posing ideas, check out the fashion magazines and images in our gallery, too.
 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

I've been looking for a bag that meets my needs for a long time. I've always been a traveling photographer, taking my gear to some of the hottest, coldest, wettest, and driest places on the planet. A bag has to do a lot to make the grade. Escalating my needs, over the last few years I've also been working as a photography guide in Canada's sub-Arctic, the high Arctic, and Antarctica. These regions don't settle for everyday quality. In these extreme environments, the bags either work or your gear gets ruined.

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